It’s not jazz. At least not as I would usually define it. It’s all in one key. There are no chord changes, no sliding away into dissonance and distraction. It is improvised, but the composer’s original theme, his “prime” motive, is ever-present.
Read MoreDecember 5, 2016:
The day I sat down with the artistic and executive directors of Third Angle New Music to talk about how we might collaborate on a project.
Read MoreWhat better day than MLK day to announce an exciting collaboration between Resonance Ensemble, Third Angle New Music, and Oregon Symphony.
Together, we present to you: BLACKARTMATTERSPDX.COM